PDF Download Acting Face to Face 2: How to Create Genuine Emotion For TV and Film (Language of the Face) (Volume 2)

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Acting Face to Face 2: How to Create Genuine Emotion For TV and Film (Language of the Face) (Volume 2)

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Product details

Series: Language of the Face (Book 2)

Paperback: 226 pages

Publisher: CreateSpace Independent Publishing Platform; 1 edition (September 22, 2015)

Language: English

ISBN-10: 1517219485

ISBN-13: 978-1517219482

Product Dimensions:

6 x 0.5 x 9 inches

Shipping Weight: 11.8 ounces (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

14 customer reviews

Amazon Best Sellers Rank:

#480,732 in Books (See Top 100 in Books)

This book needs to include all of the extras that are part of it on the cover as part of its pitch. Not only are you getting a book, but you get a series of instructional videos, a set of worksheets, and even an excerpt from a class to all help you learn how to properly gain control of your facial muscles to properly convey the seven universal emotions in the context of film. Highly recommend this!

Good follow on to the previous book.

When this book was delivered it came out looking brand new. Was clean looking. It gives good strategies how to gain new skills to develop.

Must read for actors wishing to enter the TV market.

love the book

Sudol’s book is an essential guide not just for any aspiring actor, but for anyone seeking to improve their communication skills. Acting: Face to Face features meticulous technical detail as well as relevant stories from the author’s life. Sudol not only teaches the theory of his technique, but guides the reader in how to apply their newfound skills immediately. There are plenty of ways to practice the material being covered, because each lesson is broken down into actionable exercises. The technical guidance would be worth the price alone, but Sudol also gives the reader a comprehensive history of the science and study of emotion and expression. John Sudol truly believes in what he is teaching, and that comes through in his writing. He explores the challenges facing many talented actors who are just lacking this crucial skill that would push them into the big leagues.

I really appreciate that John included a quick refresher section on the ‘moving parts of an emotion’ in Chapter 3—this was a helpful reminder of all the great knowledge I picked up in the first book, AFF1. John’s writing style is clear, concise, and very easy to read and understand.What I personally found to be one of the most valuable takeaways from John's 2nd book (this one) was the breakdown in the intensity of emotions being expressed and whether or not they are in alignment with how I really feel--they were not. I was either feeling a lot inside and not expressing enough or the exact opposite; being that I was expressing too much and not feeling that much inside. I also noticed that not all of the 7 Universal Emotions (Happy, Anger, Sad, Surprise, Contempt, Disgust, Fear) came naturally to me--it was much easier to display certain emotions over others. . This has been very eye-opening as it shows me EXACTLY what I need to work on. No guessing, no wasted time, straight to the point. And I believe that because I know this, the real growth in bettering my craft can begin now. Thank you John!

This book is worth it's weight in gold! It picks up where Acting Face to Face 1 leaves off. In my opinion, both of these books are "must haves" for both novice and career actors. They are vital in that they show you how to effectively reveal on your face, what you are saying with your body and voice. We've all heard, and probably been given, the common acting direction-- "Just feel the moment and it will show through your eyes". A good part of the time, it's just not true! Quite often, the emotion that shows up on your face, isn't what you were feeling internally. Acting Face to Face 1 and 2 will help you, step by step, reveal your facial expressions, meaningfully, and in a way that captures the viewer's interest! Because, we all know--- "If it isn't interesting, you've lost your audience"!! I'm using both books constantly as I develop my character roles, and am seeing dramatic (pardon the pun) differences in my work!

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Acting Face to Face 2: How to Create Genuine Emotion For TV and Film (Language of the Face) (Volume 2) PDF

Acting Face to Face 2: How to Create Genuine Emotion For TV and Film (Language of the Face) (Volume 2) PDF

Acting Face to Face 2: How to Create Genuine Emotion For TV and Film (Language of the Face) (Volume 2) PDF

Acting Face to Face 2: How to Create Genuine Emotion For TV and Film (Language of the Face) (Volume 2) PDF

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Free PDF Legislative Drafting Step-by-Step

Free PDF Legislative Drafting Step-by-Step

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Legislative Drafting Step-by-Step

Free PDF Legislative Drafting Step-by-Step

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Review

''Mr. Rynearson has produced a guide for the legislative drafter that is both concise and complete. It is very well organized and presents a very complicated subject as clearly and directly as possible.Throughout the book, Mr. Rynearson has included drafting problems that are perfectly conceived to test the reader's understanding of each of the teaching points presented. And he very thoughtfully provides answers for the exercises at the end of the book.The book concludes with a series of appendices that should be very helpful to the aspiring drafter. All-in-all, Legislative Drafting Step-by-Step is a highly readable and useful introduction to the art of legislative drafting, but it would also serve well as an excellent refresher course for the experienced drafter.'' --Francis L. (''Frank'') Burk, Jr., Legislative Counsel of the United States Senate, 1991-1999, and currently self-employed as a legislative drafting consultant''Arthur Rynearson's quarter century career as legislative draftsman, ultimately as Deputy Legislative Counsel of the United States Senate, enables him to draw on the experience of drafting literally thousands of legislative instruments for the US Senate. [...] There is a very detailed table of contents, a useful index and more than 50 pages of exercises (and answers!).To conclude: it has been an almost unadulterated pleasure to read this book. I heartily recommend it.'' --Don Wallace, Jr., Professor of Law, Georgetown University Law Center, and Chairman, International law Institute

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About the Author

Arthur Rynearson, the former Deputy Legislative Counsel of the United States Senate, drafted thousands of bills, resolutions, and amendments while serving as an attorney-drafter in the nonpartisan Senate Legislative Counsel's Office. He is currently Course Advisor and Principal Faculty to the International Law Institute of Washington, D.C., in its legislative drafting workshops. Mr. Rynearson is a member of the District of Columbia Bar.

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Product details

Paperback: 258 pages

Publisher: Carolina Academic Press (May 7, 2013)

Language: English

ISBN-10: 161163380X

ISBN-13: 978-1611633801

Product Dimensions:

7 x 0.8 x 9.8 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#414,120 in Books (See Top 100 in Books)

An essential book for those interested in drafting legislation. Rynearson provides a clear framework and lots of precise examples. His experience as a legislative counsel and as law professor give his book unique authority.

The people who are best at doing things are not always equally adept at explaining what they do and how they do it. That is why I am so pleased that we have Arthur Rynearson’s Legislative Drafting Step-by-Step to explain, carefully and lucidly, how bills and other legislative documents are drafted for consideration by Congress in Washington.This book should be required reading for every Representative and Senator, every congressional staffer involved in the legislative process, every lobbyist, and every lawyer and law student who is interested in public policy and how it is made.For many years, Mr.Rynearson was a senior attorney and legislative drafter in the Senate’s Office of Legislative Counsel. With its counterpart in the House of Representatives, these offices provide expert, non-partisan, and confidential services to all the members and committees of both houses: drafting bills, resolutions, amendments, and conference reports, on request, to transform legislators’ policy proposals and decisions into technically correct, complete, and effective legislative language. Senators and Representatives are not required to use the services of Mr. Rynearson and his colleagues, but they are foolish when they do not.As the book’s title implies, Mr. Rynearson takes his readers through all the elements of legislative drafting. For example, should a proposal be drafted as a bill as opposed to a joint resolution or even a concurrent resolution? This choice makes a very important difference. What sections do bills usually include, and in what order do they appear? What terms need to be defined in a bill? Should duties and authorities be assigned to the President, or to a particular Cabinet secretary, or to a subordinate official within a department? Because most bills today amend one or more existing laws, or have effects on them, how should a new bill best be incorporated into the corpus of federal law? How are judges likely to interpret laws and how can a bill be written to minimize the risk of judicial misinterpretation? These are only some of the questions that Mr. Rynearson raises and answers. His topics range from the most conceptual to the most detailed. How does effective legislative drafting contribute to implementing democratic values and promoting the rule of law? When is it appropriate to use “which” instead of “that”, and why?This book will not make you a competent legislative drafter. As the author notes in his foreword, “I served in the Senate Legislative Counsel’s Office and learned my skill at drafting from other more senior attorneys, who in turn had learned from their predecessors.” To my mind, these attorney-drafters are craftspeople of the highest order: men and women, most of whom devote their careers to mastering their craft when, incidentally, they undoubtedly could be earning several times their government salaries in the private sector.Any of us may think from time to time that it would be simple to write a bill that will resolve some problem that particularly bothers us. A reading of this book should demonstrate why that is rarely, if ever, true. There are almost certain to be considerations and complications that need to be addressed and that would not even occur to us. H. L. Mencken is reputed to have said something to the effect that for every complex problem there is an answer that is clear, simple, and wrong. So this is not a book that teaches you how to do it yourself; it is a book that should teach you why not to do it yourself.Washington, DC is full of lawyers, too many of whom evidently say to themselves that “I went to law school, so I can draft a law. No problem!” Not so. Representatives and Senators, or at least newly-elected ones, may believe they can do their own drafting, or they may believe that the legislative staff working for them surely should be able to do it, or they may believe that it would be wiser to ask for the help of those friendly lobbyists who are so anxious to help and who seem to know so much. Following any of these courses is all too likely to lead to a defective bill which, for that reason alone, is unlikely to receive the support its congressional sponsor hopes and expects it will receive. Instead, the course of wisdom is to take a proposal for new legislation to the expert attorneys in the House or Senate Office of Legislative Counsel and be prepared to answer their questions as they try to discern exactly what your intentions really are and exactly how you propose to change existing law on the same subject.Mr. Rynearson’s book, as you might expect, is lucid and carefully organized. It does demand the reader’s attention, but it is not at all intimidating. And a careful reader will come to appreciate Mr. Rynearson’s enthusiasm for and pride in his chosen profession. At the end of the book, he asks rhetorically if legislative drafting is mind-numbing. No, replies: “Legislative drafting is a constant challenge to capture someone else’s intent precisely. There always seems to be a clearer way to express a matter that is eluding the drafter. Choosing the correct words to capture policy and to achieve economy of language is both intellectually challenging and highly absorbing.”Readers will come to appreciate why this is so. What they also will come to appreciate is that there are so many serious and dedicated people like Mr. Rynearson who devote their professional lives to enabling our government to do what we want it to do.

As a professional legislative drafter, I highly recommend Legislative Drafting Step-by-Step. It’s a very thorough and well-organized examination of legislative drafting. Students of the craft would benefit from a cover-to-cover read (drafting exercises are even included) and there’s a lot in the book for experienced drafters as well, especially as the book offers comprehensive (and comprehensible) explanations of why we draft the way that we do.

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Ebook Download Mosaic Renaissance: Reviving Classic Tile Art With Millefiori, by Laurel Skye

Ebook Download Mosaic Renaissance: Reviving Classic Tile Art With Millefiori, by Laurel Skye

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Review

"I have been an admirer of Laurel Skye's work ever since I first saw it a few years ago. Her distinctive whacky style is comic and haunting - images of her work stay with you. Laurel gives a new twist to millefiori, those glass beads that have been around at least since the first century. In Laurel's hands they are transformed and incorporated into weird and wonderful creations, often macabre, but always memorable" -- Martin Cheek, internationally renowned mosaic artist and author

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About the Author

Laurel Skye is a mosaic artist who teaches a variety of mosaic workshops in her Skyelab studio in California. Her work has appeared in Mosaic Art and Style (Quarry May '07) and she has appeared on HGTV's Offbeat American and she is active in The Society of Mosaic Artists. More of Laurel's work can be found at www.homepage.mac.com/laurelskye.

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Product details

Paperback: 128 pages

Publisher: North Light Books; Original edition (November 13, 2009)

Language: English

ISBN-10: 1600611982

ISBN-13: 978-1600611988

Product Dimensions:

8.2 x 0.4 x 10.9 inches

Shipping Weight: 1.2 pounds

Average Customer Review:

4.9 out of 5 stars

85 customer reviews

Amazon Best Sellers Rank:

#543,315 in Books (See Top 100 in Books)

I bought this book many years ago and my life had changed. I bought the clay, mosaics, all kinds of stuff. i had no clue what size her placques were so I bought 8x10 and bigger. If you have ever done this work you will know that i had a million pieces of clay made, millions. I spoke to Laurel and told her that I eat and sleep mosaics. Then, as I experimented, I began to add collage paper and gems, and stuff and created my own mosaic style. I ruined my oven as all i cooked was clay. Oh well. The best gift for me was the fact that i created my own style and sold many works and gave gifts that were originals. The other exciting part of this is that it leads you to follow other artists and add their talents to your own. WHAT AN AMAZING JOURNEY. I recently moved and am handicap and have not done much mosaics. When a dear friend past on and so Ii pulled out all my mosaics and stamped clay bits and made a most memorable tribute to her family using, once again, all i learned from Laurel.Of all the mosaic books, Laurels is the one and only that speaks to me. Thanks Laurel.

I love this book! I've read several mosaic books, and I have two favorites: Laurel Skye's "Mosaic Renaissance" and Bonnie Fitzgerald's "The Complete Guide to Mosaic Techniques " .The two books are very different. While Bonnie Fitzgerald's book is a wide ranging technical guide, with tons of excellent examples from international mosaic artists, this book by Laurel Skye is a deep personal look at her own tastes and techniques. Every page exudes a happy and warmhearted vibe, a natural exuberance for life and mosaics.The danger of a book based on the author's personal style is that she could seem a little claustrophobic or preachy, but that's not the case here at all. It's a true pleasure to step inside her world. There are some fascinating photos from her own home: breathtaking mosaic furniture, walls and staircases. And did I mention her mosaic bathtub? I never in my life thought I'd want a mosaic bathtub, but I want one now!Aside from it's passionate writing and pleasurable photos, this book is also a very practical guide, suggesting tools, materials, and many handy tips and tricks. It's very encouraging, and opens the door to many options. Saying, in effect, in this photo you will see I used X technique, but you could also have done it with Y or Z technique.One of the most useful things for me in this book, is the section where Laurel diagrams some geometric patterns she uses. I was initially surprised by the complex and formal nature of these patterns, given that her finished work seems so exuberant and free. But that's what lifts her work beyond the " make a quirky pretty thing" school of mosaic making.Laurel shows that a little bit of planning before you start, makes a whole lot of difference to the finished piece. The more you look at her pieces, even the beautifully simple ones, you will see a richness and a unity that makes them restful on the eye, and a joy to include in your home, rather than just a colourful piece of eye candy! Buy the book, step into Laurel's world, I guarantee you will love it!

If I had to recommend only one mosaic book, Laurel Skye's,"Mosaic Renaissance: Millefiori in Mosaics" would be the one. It is well-written, beautifully illustrated and gives insight into the fascinating mosaic of a top-class artist. I have been acquainted with Laurel for a number of years and have been exposed to her work in person upon many occasions. I am a fan. Her art is exquisite, and while it is complex, she explains how to make the projects with ease. This book conveys Laurel's unique mosaic style in a personable, accessible way that allows even the beginning mosaic artist to create works of which to be proud. However, it is challenging enough for the more advanced mosaic artist as well. The book is packed full of expertise and a core knowledge of the mosaic arts. I cannot recommend this book highly enough. If you have an artist friend, even if that friend is not spefically a mosaic artist, this book would make a fabulous gift. It is chock full of stunning art that anyone would enjoy.Stacy Alexander

This book came at the perfect time for me. I have been making lampwork beads and started mosaics to use the broken beads. I have used some of the slices of glass from the canes we use to make beads for my mosaics but this brings it all together into a beautiful method for using both millefiore and plain colored glass disks. Now I am making flat beads to use in mosaics.Thank you Laurel!!!If you are just beginning mosaics or have been doing them for years, this book will bring new ideas for materials and designs. It is both beautiful to look through and instructive in the use of the material.I would recommend that you find a place to purchase some of the millefiore in cane form and cut your own slices as it is cheaper and you can control the cut and you won't run the risk of running out of a design in the middle of a project. You can also purchase solid color cane or fillagrana and cut them to have solid rounds or rounds with little dots of color in the middle. There are also some canes that are ridged and cut like little stars. The possibilities are endless.This is a great addition to mosaic information!

I fell in love with Laurel's work a few years ago and was fortunate enough to immerse myself in her world for a week of fantastic workshops. This book is the next best thing to being there. The day after receiving my copy, I immediately mosaiced a switchplate cover; it's THAT inspiring! Chock full of brilliant, crisp photographs, clear instructions, patterns galore, hints and tips, and a beautiful gallery of worldwide mosaic artists work. The only gripe I have with the book is that the publisher used the same photograph twice - the mosaic bottle at the beginning of chapter 3 and for the bottle mosaic project. Laurel has so many spectacular mosaics, they could have used something else! Seriously, there is a lot of information and eye candy packed into this beautiful treasure of a book, now number one on my bookshelf.

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